My  submission is a typographic homage to the first cover of the literary  magazine BLAST. The simple cut geometry and sharp colours were my  favourite features of Vorticism. In my opinion Vorticism is the ultimate  shiny machine age style – sadly short lived because of WW1. I very much  liked its optimism about the industrial world and speed. Dystopian film  Metropolis sums up the paradox of industrialism in a way that the Vorticists  would soon discover: “Mittler zwischen Hirn und Händen muss das Herz sein.”

My submission is a typographic homage to the first cover of the literary magazine BLAST. The simple cut geometry and sharp colours were my favourite features of Vorticism. In my opinion Vorticism is the ultimate shiny machine age style – sadly short lived because of WW1. I very much liked its optimism about the industrial world and speed. Dystopian film Metropolis sums up the paradox of industrialism in a way that the Vorticists would soon discover: “Mittler zwischen Hirn und Händen muss das Herz sein.”

Blog comments powered by Disqus

Tate Britain and Creative Review are teaming up to mark the gallery’s new exhibition, The Vorticists: Manifesto for a Modern World.

Adopting the spirit of Blast, the art movement’s short-lived journal launched by Wyndham Lewis, we are inviting submissions on the themes of ‘Blast’ and ‘Bless’.

The best work will be projected at the next #crtweetup, which takes place at Tate Britain on July 21, while our favourite ‘Blast’ and ‘Bless’ will be turned into a double-sided print that will be unveiled on the night.

So what would you Blast or Bless about today? Upload your work here.